Alexandra Blue


Agents: Kelly Knatchbull, Eva Bell

T: +44 (0)20 7823 3883

11 Jubilee Place, London,
SW3 3TD, United Kingdom

Alexandra is an award-winning producer committed to bold, original and inventive storytelling. With a talent-led approach, Alexandra's slate includes projects developed with Netflix, Film 4, BFI and Screen Australia. Alexandra’s short films have been Oscar-longlisted and received acclaim at festivals including BFI London, Clermont-Ferrand, Flickerfest and Palm Springs, and short film of the decade at the Australian Academy Awards (AACTAs).  Her accolades include being selected as one of 12 producers for BFI Insight, a Film London Lodestar, Emerging Producer of the Year (SASA), Best Emerging Filmmaker (Shorts Film Festival), a nomination for Best Short Film at the Australian Academy Awards (AACTA), and winning Short of the Decade at AACTA in 2021.

Alexandra began her career by being mentored by some of the top production companies worldwide, including a Screen Australia Talent Escalator placement with Element Pictures (The Lobster, The Guard, Room) and a six-month Producer placement with Warp Films (This is England, '71, Four Lions). Alexandra also worked as a Development Executive at Heyday Films/Heyday TV for Producer David Heyman (Harry Potter, Gravity, Paddington) until 2017. She most recently worked at Eleven Film as a Development Producer with her own slate, and continues to collaborate with them on several projects she originated.

Alexandra's short films include Sarah Chong Is Going To Kill Herself (Creative England Funny Girls initiative, directed by Ella Jones, mentored by Paul King and Peter Straughan), Cut (Icelandic Film Fund and Shorts TV, an Iceland/UK co production, directed by Eva Sigurdardottir), Land’s End (funded by Creative England, starring Joseph Mawle), Holy Cannelloni (a Creative England and BFI funded pilot), End-O (supported by Pia Pressure, directed by Alice Seabright), Martha (BFI Network) and Cinderella Games  (for the English National Ballet).

Alexandra has also worked on a number of film and television projects in various capacities from Post Production Producer to Development Executive. Her credits include Paddington 2, The Lobster and The Babadook.